Easter Procession

Easter is of course huge for Italy’s Catholic pop­u­la­tion. In Lanciano, where we have been staying for the past week or so, Easter is a week long affair filled with social­iz­ing, shared meals, picnics, and reli­gious pro­ces­sions through the streets, replete with reli­gious arti­facts, cos­tumes and march­ing bands.

On Thursday night before the Easter weekend, the Churches open their doors to display “Sepulchre,” or artistic dis­plays of Christ coming off the cross. Thursday night also kicked off a weekend of pro­ces­sions with a hooded march through the old dis­tricts of the city. The mood was sombre, if not a little eery, with a march­ing band droning in a minor key.

These shots were from that night. The interior shots were from a par­tic­u­larly well-done Sepulchre, and the rest are of the hooded procession.

For a small dona­tion, the faith­ful can light a candle.

Folks exiting the church. I swear they had a fog machine in there.

One par­tic­u­larly pen­it­ent man has the honour of bearing a large wooden cross.

We ran a little wildly through the streets in order to see the pro­ces­sion pass a few more times. This was taken from the CCI school balcony.

The march­ing band fol­lowed behind.

As the pro­ces­sion snakes its way through the narrow streets, it picks up followers.

More of the silent followers.

After the pro­ces­sion, the main piazza was thronged with Liancanese vis­it­ing with each other. This was about mid­night local time.

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5 thoughts on “Easter Procession

  1. Chris Pedersen

    I agree. Those shots look amazing. Some info on how they were snapped would be a great lesson.

    [Reply]

    Chris Reply:

    All were shot with a Canon 5D. Lenses: 24L, 50mm 1.8, and a couple with the 135L. ISO was gen­er­ally 3200, although a few might have been 1600. Apertures were 2.5 on average, although a few were wider than that, and shutter speeds were in the 1/50 to 1/60 range. Almost all were manual focused using an E-es focus­ing screen. The auto focus hunts badly in low light, and isn’t all that accur­ate anyway. I think the trick here is to not be afraid of the dark. If you try to expose to make the whole scene bright, you’ll be pushing your expos­ures way too much to get a clean, steady shot. If you expose for the high­lights and let the dark places be dark, you’ll have better results. Of course, your on-camera light meter is unlikely to tell you how to do this, so you need to trust your gut and don’t be afraid of “under­ex­pos­ing.” Hope that helps.

    [Reply]

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  2. Pingback: Lanciano, Laura’s old stomping grounds : www.outtheresomewhere.ca

  3. Dale

    Agreed, great photos. Definitely got a creepy-ritualistic, almost Goebbels-like feel to it.

    Give us some deets on how you took them / exif info. Nice use of avail­able light while still keeping a useable DOF. Not very grainy either (waaayyyy better than my camera at least).

    [Reply]

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