Category Archives: UK

Lost in Translation

Iran: This is one of the murals painted (and repainted, again and again) on the old American Embassy in Tehran. The Embassy now houses some of the young hard­line right-wing organ­iz­a­tions. About 95% of the Iranians we met are out­wardly embar­rassed by sen­ti­ments like this one. We even had people on the street whisper things to us like: “Ahmadinejad: terrorist!”

Italy: A “cre­at­ively” named energy drink.

Cambodia: We chuckle because it’s so hor­rible. It’s a way to deal with a place that requires signs like this one. There were actu­ally bones that are eroding out of the ground here; just like we are used to at dino­saur bone beds. Only this time, they’re human bones.

Iran: Eff-Eh-Gee is the acronym for an auto­parts company. No further explan­a­tion needed.

Italy: This one makes me go “aaaah­h­hhh.” A Syrah wine named after both my mom (Donna) and my wife (Laura). Of course we had to buy a bottle. It wasn’t too bad!

Thailand: We’ve shown this one before. We were dis­ap­poin­ted by the overall lack of Engrish in SE Asia. Guess we’ll have to go to Japan next.

London: The Beauchamp. Hmmm. Nice ring to that.

Morocco: Maybe some of the French speak­ers can fill us in on this one. It just seemed so literal...

London: “Yup, she’s one old broad.” Named after the Queen perhaps? Uh, oh, now I’m going to have the mon­arch­ists after me.

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Documentary Photography: An Unrealized Ambition

Man with birds. Roma.

I hate when people ask me if I’m a photographer.

Sometimes it’s the gear that prompts this. They see the expens­ive looking camera, or maybe pick up my kit for a moment and are taken aback by how heavy it is. “Whoa! You must be a pho­to­grapher.” Maybe it’s the final shots that have them whoa-ing, but the gear still takes centre-stage: “You’re camera takes great pictures!”

But no, the reason I hate when people ask me if I’m a pho­to­grapher is because I’m not sure what to say. On the one hand, I most cer­tainly am. I’ve shot wed­dings, por­trait­ure, and used my pho­to­graphy as the found­a­tion of several paid graphic design pro­jects. I’ve been paid money to shoot. Simple. But on the other hand, I feel like I’m not really a pho­to­grapher at all. To date, pho­to­graphy has only been a small part of what I do, and after more than ten years looking through a series of increas­ingly expens­ive lenses, I’m still not really doing the kind of pho­to­graphy that has always inspired me the most.

All of my favour­ite pho­to­graph­ers are doc­u­ment­ary pho­to­graph­ers. The famous black and white street scenes of Henri Cartier-Bresson. The blis­ter­ingly vis­ceral war pho­to­graphy of James Nachtwey. The art­fully real­ized wedding work of Jeff Ascough.

Their sub­jects vary con­sid­er­ably, as well as their styles, but there is a thread of con­sist­ency among this type of work that tran­scends styl­istic dif­fer­ences. Unlike fashion pho­to­graphy, most forms of por­trait­ure, and pretty much any­thing done in a studio, quality doc­u­ment­ary work is basic­ally true, at least from the photographer’s point of view. They don’t have the luxury or inclin­a­tion to ask their sub­jects to turn a bit to the left, or take a few steps back or find a more flat­ter­ing angle. Their raw mater­ial is only what’s there at a given moment; the light as the camera can record it. Their medium is the world itself.

Every artist has the power to manip­u­late their audi­ence, and doc­u­ment­ary pho­to­graph­ers are no dif­fer­ent. But com­pared to a painter who can create whole worlds with the strokes of his brush, or a sculptor who can destroy with the driving bite of her chisel, the doc­u­ment­ary photographer’s tool box is much more restric­ted. His only means of manip­u­lat­ing the final image is to choose what to include in or exclude from the frame; what to focus on, what sort of mood to imbue through light­ing, com­pos­i­tion, focal length. And while the simplest of these tools can still be very power­ful means of manip­u­la­tion, they do not carry the god-like cre­at­ive poten­tial of other mediums. Some might think this to be a lim­it­a­tion, but for me it has always been photography’s greatest strength. Art is about inter­pret­ing the world around us; record­ing what we see, sharing how we feel. Documentary pho­to­graphy does this in the most literal way pos­sible. To me, this is the main attrac­tion of the pho­to­graphic medium, and the ideal I have always aspired to in my own style.

I cer­tainly can’t claim to be a pho­to­grapher on the same level as those men­tioned above. More than anyone, I am aware of just how far my work falls short of where I’d like it to be, and this is why I struggle with the dreaded ques­tion. But I am a pho­to­grapher, and although I am not where I want to be in terms of devel­op­ment or recog­ni­tion, I am proud of how far I’ve come. One of my biggest goals during our travels is to chal­lenge myself pho­to­graph­ic­ally, to think in terms of pro­jects not just indi­vidual shots, and to push myself outside of my own comfort levels while behind the camera. Street pho­to­graphy is one way to do this, but it’s not the only way.

I am a pho­to­grapher; one who is becom­ing surer and surer that this work is and will con­tinue to be a large part of my pro­fes­sional life.

Man with bandage. Istanbul.

Woman on cell phone. Roma.

Mother and daugh­ter. Istanbul.

Walking man. Roma.

Three ladies. Roma.

Street per­former. London.

Busy street at sunset. Roma.

Young tour guide. Tloss, Turkey.

Commuter. Istanbul.

Man on bike. Lanciano.

Teenage couple. Roma.

Young woman. Roma.

Couple kissing. Roma.

Man on ferry. Istanbul.

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OutThereSomewhere.ca — CIRA Contest Video!

We know we’ve been lax on the updates, but we hope seeing this video will explain our absence. We decided at the last minute to make a video pro­mot­ing our site for a CIRA contest. The grand prize is a new Macbook Pro laptop. If you’ve seen my beat-up old duct-taped com­puter, you’d agree we could sorely use one.

So, if we make it to the finals, we’ll be after all of you to help us gen­er­ate votes. For now, just enjoy the video. If you like it, maybe head over to Youtube and click the thumbs-up icon below the video...

...

From the video descrip­tion on our new Youtube account:
March 15, 2010 — This is our entry for the Canadian Internet Registration Authority’s “Show us Your .CA” contest. It’s the second video we’ve made, and I think we’ve improved on our skills. We’d love to hear some opin­ions in the com­ments. Most import­antly, vote for us in the contest (if we make it to the finals).

The music is by the Ramblin’ Ambassadors, an awesome surf rock band from our home city of Calgary, Alberta, Canada. They were kind enough to grant us per­mis­sion to use the songs, even though I went about it all in the wrong way. Bill at their record label, helped set it all up. Thanks guys!

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Some complementary photos

After reading Laura’s account of our first day in London, I thought I’d put up a few of my favour­ite shots from the day to com­ple­ment her narrative.

This skater and his buddies were shoot­ing some film footage near London Bridge.

The impos­ing facade of St. Paul’s Cathedral, com­pleted in 1711. It was the work of Sir Christopher Wren, London’s most famous architect.

This is the inside of the London Monument (see Laura’s post below). The Monument is also the work of Wren.

Another shot, this time looking up from the very bottom.

Laura at the top of the Monument.

The two hardest-earned pints in the city.

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We Walked: 14 Kilometers Through London

Walking: the pro­fes­sion of Chris and Laura Beauchamp, our new full-time job.

The morning air was cold and a thin layer of snow covered the ground. We headed for the British Museum but it was 8:15 am and it didn’t open until 10:00 am. Instead we walked to the Covent Garden Market.

Covent Garden Market, London, UK.

The market was just start­ing to unravel. Again, we were too early. So, we walked. We walked towards the river, along a place called Sommerset House, which was also closed and we kept walking up a street full of theatres with huge bill­boards and signs that would prob­ably be flash­ing with life and entising the crowd, but they too were closed. So, we walked.

By now we were already quite cold. Chris didn’t have mittens or a scarf, but even with those I was getting chilled to the bone. To warm-up we found a coffee shop in front of a castle-like build­ing, the Royal Courts of Justice.

Coffee break in front of the Royal Court of Justice

After warming our fingers for a short while, we walked. Behold, out of the winding street and hugging British build­ings was St. Paul’s cathed­ral. We took a couple shots and then went inside.

St. Paul’s Cathedral, London, UK.

St. Paul’s Cathedral and the ever famous red British tele­phone booth

As I walked through the revolving door which informed me that  this was the house of God and I was enter­ing the gates of heaven, I was promptly informed by another sign that it would cost me 15.00 pounds to enter. I had a flash back to my high school history class and some­thing about pur­chas­ing tokens or tickets for heaven...

Needless to say, we didn’t pay. Instead, we walked towards the TATE MODERN, a fab­ulous modern art gallery that has FREE ENTRY. Along the way we spotted this memorial in honour of the fire­fight­ers who died during the Blitz.  It was covered in row after row of the men’s names.

Firefighter memorial for those who died during the Blitz, with St. Paul’s in the background.

Bridge (fea­tured in Harry Potter!) that takes you to the Tate Modern in the background.

At the Tate, we walked through the many gal­ler­ies looking at Surrealism, Cubism, Arte Povera and more. A few of the pieces we saw were by Jackson Pollock, Claude Monet, Pablo Picasso and Robert Therrien.

Not wanting to pay 10 pounds each to see the recon­struc­tion of the Globe Theatre, we took a photo of the outside. Unfortunately during this time of year no plays are offered in the Globe. I believe they are only avail­able in the spring and summer.

Chris does his best Hamlet mono­logue in front of Shakespeare’s Globe Theatre.

From the Globe Theatre  we headed to the Tower Bridge, the famous bridge of London which is often con­fused as being “London Bridge”. It’s not. London bridge is remark­ably mundane. The Tower Bridge on the other hand is quite remark­ably extraordin­ary. They can still lift the bridge to allow the passage of large sea vessels, but a 24 hour notice is required. I was amazed at this con­sid­er­ing the con­struc­tion of the road looks like ordin­ary, solid asphalt.

Tower Bridge, London, UK

We had fully inten­ded on vis­it­ing the Tower of London, located next to the Tower Bridge, but it was 3:30 pm and it closed at 4:30 pm and at 17 pounds/person we decided against it. Nonetheless, with the won­der­ful light­ing from the setting sun, I snapped a shot of Chris.

Tower of London

The tower was used to hold pris­on­ers and to house the royals many, many years ago.

Chris and I had now been outside, walking, for 9 hours. I was thor­oughly chilled to the bone and was having a lot of trouble warming up. We went and sat in a church for awhile to take advant­age of the heat and then we started the looming walk back across the city to our hostel. Before we got more than 10 meters from the church we saw a huge column and people were at the top of it. “Let’s go” Chris said, “Some stairs should warm us up.” He was right, 311 stairs to the top warmed me up almost as good as a bubble bath and cup of tea.

The 1666 Great Fire of London free-standing stone monu­ment column.

The column was built between 1671 and 1677 to com­mem­or­ate the Great Fire of London in 1666 which des­troyed most of London. The column is the tallest free-standing stone column in the world. It is 202 feet (61 meters) tall which is the exact dis­tance from it to the place where the fire started. It was after the fire that build­ings were con­stuc­ted out of brick or stone.

While coming down the 311 steps in the monu­ment column, I shot this through a narrow window.

I recall Calgary, Alberta, Canada also had to learn this lesson in the late 1800’s after a fire des­troyed most of down­town. They rebuilt with sand­stone. Um? The reason why anyone would study history sud­denly becomes clear.

Needless to say, Chris and I walked back down the 311 steps and kept walking until we finally got “home” at 10:00 pm. After walking this 14 kilo­meter journey through London, not count­ing the walking within build­ings, we imme­di­ately went to sleep.

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